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Whoever meets it

image
The fearful time lag
 of the test
 sinks in.   
 The turnpikes
 on all frontiers
 are moved back
 into brightness.
 
 



Hilde Domin
 
 
 
 




Whoever meets it
 will be lifted up
 as if by a huge crane
 and set down
 where nothing holds true 
where no road
 leads from yesterday to tomorrow.
 Buttons, jewellery and colour
 will be swept
 with a broom 
from his clothes.
 Then he will be stripped
 and put on show.
 Hostile hands
 feel his hips.
 He’s pressure cooked
 in tears
 in the slow kitchens of time
 until the flesh
 on his bones becomes tender.
 He gets pressed through the finest
 sieves of pain
 and strained through 
pitiless cloths
 which let nothing through
 and on which the last grain of 
self respect
 is left behind.
 He gets chosen
 and punished
 and is made to eat the dust
 off the soles of the disappointed
 on all the country lanes of betrayal
 and as it’s harvest time
 his blood
 shall fertilise the large vines
 and protect them from the frost.

But sometimes
 if he is lucky
 (though through no understandable
 merit
 just as he was not put outside
 for any known fault
 but simply because he was on hand)
 he will be reprieved
 by the unknown
 all powerful judge
 as long as there is time.
 Then he gets rediscovered
 like a new continent
 or a crucifix
 after an air-raid
 in a rubble filled shelter.
 It’s as though the points are set
 his nowhere
 is coupled 
to the old landscape
 like a carriage shunted
 on to a train
 from a dead end.
 Under the rainbowed gate
 on a certain day of the calendar
 that is thick with future
 a tender yesterday
 recognises him and opens its arms
 to receive him.

No cat with nine lives
 no lizard and no starfish
 whose lost limb grows back
 no severed worm
 is as tough as the man
 who has been placed
 in the sun
 of love and hope.
 His fear fades
 like the marks of the branding iron
 or the scars of the wounds
 from his body.
 His defoliated
 tree of joy
 grows new shoots
 and even the bark of trust
 slowly grows back.
 He gets used to the altered
 ploughed image
 in the mirror
 he oils his skin
 and covers the impudent
 skeleton man
 with a new layer of fat
 until he no longer
 smells strange
 to everyone.
 And quite unremarked
 maybe on a holiday
 or on a birthday
 he no longer sits 
only on the edge
 of the offered chair
 as if on the run
 or as if it has
 wormeaten legs
 but he sits
 with his kin at the table
 and is at home
 and almost 
safe
 and delights in 
the gifts
 and loves what is borrowed
 more than what is owned
 and every day
 is for him
 surprisingly present
 so luminously light
 and clearly bordered
 like the span
 between the outspread
 pinions
 of a gliding bird.  
  
The fearful time lag
 of the test
 sinks in.   
 The turnpikes
 on all frontiers
 are moved back
 into brightness.
 But the substance
 of the self
 is as altered
 as the metal that comes out of the furnace.
 Or it’s as if
 from the tenth or twentieth floor
- the difference is marginal
 for a salto mortale
 without a safety net –
he’s fallen on his feet
 in the middle of Times Square
 and has escaped
 the muzzles of the oncoming cars
 by the skin of his teeth
 just before the lights turn red.
 And so a certain
 birdlike lightness 
has stayed with him.
 *

But you
 who meet him
 on every street
 you who break
 bread with him
 bend down and stroke 
the delicate moss on the ground
 without ruffling it
 stroke the little animal
 without making it flinch.
 Lay your hand protectively
 on the head of a child,
 let it be kissed
 by the tender mouth
 of the beloved,
 or hold it 
as under a tap
 under the flowing gold
 of the afternoon sun
 so that it becomes transparent
 and completely useless
 at lending a hand
 in the building
 of barbed wire hells
 whether public
 or intimate
 and so that it never
 calls out “me too”
when panic is handing out 
its fearful weapons
 and never
 gets to hold
 the great iron rod
 that cuts through
 the Other
 as through foam.
 And that it never
 comes home to you
 in the evening
 like a retriever
 with a pheasant
 or a little hare
 the booty of its instinct
 laying for you
 the skin of a you
 on your table. 

 

So that 
when on the last day
 it lies before you
 on the bedspread
 like a pale flower
 faded
 but not quite as light
 and not quite as pure
 but like a human hand
 which gets stained
 and washed
 and stained again
 you thank it
 and say
 farewell my hand.
 You were a loving 
link
 between me and the world.

 

 

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